#one-click conversion

[tryslat]

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[kettle-bird]

All the world's a stage, and I'm glad we get to share it

[stimmingandstruggling]

jongerry queerplatonic soulmates. you agree

[psychopomp-namine]

some thoughts on the photo diving ability users

this is more of a speculation post. I want to talk about the main theme of link click, revisit cheng xiaoshi's character arc as we can now compare him to other users with the photo diving ability, as well as some thoughts on the narrative roles of shao yuanyuan and lu guang. they all kinda relate to each other, so I'm putting them here in one post.

i. past or future, let it be.

others have pointed out reasons why the possibility of cheng xiaoshi also time looping would be a disappointing turn from his character arc, which I agree with. I will not go into that here. instead, I wish to revisit a theme that I really wish link click would go back to as its main motto: "past or future, let it be."

I still believe this is and has always been the core theme of the show as a whole. and it's one of the reasons I personally fell in love with S1 and even in S2. you can't change the past. and even if you could go back to the past, you're only doing so to change your future, but you can't undo what has already happened. you can't jeopardize the present. past or future, let it be.

although yingdu deals with butterfly effects instead of closed loops, I don't think it's exempt from this lesson either. the fact that lu guang is now learning to make this final timeline count and that he is, for the first time, looking towards the future and not the past (because this is the "last time") is him finally reaching the same place as cheng xiaoshi in terms of the character growth cheng xiaoshi exhibited by early season 2. they are, for the first time, running towards the same direction together. a shared future. this present future. there are no do-overs after this.

even if cheng xiaoshi ends up diving into the past and timeloops for whatever reason, I don't want it to be the solution to everything. changing the past has never been the solution in link click (yingdu arc notwithstanding). it goes against the main lesson of the show. so if he ever does that, I want it to be because he wants to stabilize the past and prevent any more changes to it.

more than two people timelooping for each other, I think there's more catharsis in two time travelers committing to make this final timeline really count. this is the last time. this is their only time. so, past or future, let it be.

and if the lyrics to songs like train trail and break are anything to go by (they literally include the phrase "past or future, let it be"), I think we'll definitely still loop back to this theme again in S3.

ii. revisiting cheng xiaoshi's character arc

on that note, I want to make a quick comparison of our photo diving ability havers, because I think lu guang and shao yuanyuan serve as a useful comparative lens for us to see cheng xiaoshi with. I did this in the tags of a previous post but I think it deserves its own post now.

cheng xiaoshi gets called immature a lot sometimes by other people, which I don't really believe to be true or an accurate description of him. and shao yuanyuan provides me with another reason that bolsters my belief in this.

the ability to change the past is a dangerous power, but it's cheng xiaoshi who learns the lesson of link click the fastest. past or future, let it be. lu guang is willing to erase the present timeline by diving into the past, and shao yuanyuan is doing... whatever it is she's doing to save cheng weimin.

in comparison, cheng xiaoshi matures relatively quickly about not abusing his powers, and he is overall more resistant to the temptation of using time travel to undo death by S2. after emma, cheng xiaoshi learns not to change a death node. not even that of his best friend's, whom he loves very dearly. this is a marked contrast not only to lu guang, but also to his mother.

it's a very underrated aspect of him because cheng xiaoshi is often described as impulsive and reckless, but he does take these lessons to heart and as long as he's given space to think things through, he comes out with rather emotionally mature decisions. I love this aspect of him sooo much. his big heart carries so much responsibility, and he takes it very seriously.

which is why I am very confident that in S3, we can trust cheng xiaoshi with the timeline. so much so that I do believe he can make things right without having to change the past drastically (but I'm very sure the show will tempt him to anyway).

if there's anyone in this show who can be trusted to take care of the timeline, it's cheng xiaoshi.

iii. shao yuanyuan and lu guang's narrative roles

on the flip side, let's talk about our other two divers. there's a really great "what if" post written by @sonchop that I've been thinking about recently that I'll touch upon later. I highly recommend reading through it.

when talking about lu guang, we have to remember what constraints the writers are writing under with regards to his character. see, lu guang is a tricky character to write under censorship rules. my personal understanding (which may run contrary to some fans', but I believe there's a lot more lu guang apologists here on tumblr lol) is that lu guang is meant to be a hypocrite willing to do morally questionable things for cheng xiaoshi. but he is also most likely slated for a happy ending. it will be difficult to make both things happen under censorship. these are the limitations the writers are working with.

for example, let's look at how lu guang was written in yingdu arc. lu guang wants to murder vein, hence why he talked about creating an "unchangeable node" -- aka, a death node. his intentions are very clear, and the show even frames this by animating him as wang qing's puppeteer and even "crushing" his hand as vein gets a heart attack. but he can't be shown directly actually murdering vein if we want to give him a happy ending later, because that's a no-no under censorship.

think of it as similar to how in S2 they had to pivot the red eyes concept because they can't let red eyes remain at large after stabbing lu guang.

so lu guang has to be written in such a way where his intent is not necessarily "morally acceptable" but his actions are in such a way that a really good lawyer can defend him in court. he didn't technically kill vein. he's not the murderer technically speaking. you can't charge him guilty just for talking to vein for 30 seconds.

the way I personally see it: lu guang is in a precarious narrative position and needs to be written delicately to “deserve” his happy ending under censorship rules.

so. circling back to the post I mentioned at the beginning of this section. my theory is that introducing shao yuanyuan as the main wildcard of the timeline changes will be what narratively "absolves" lu guang from his own timeline trampling "sins" thereby making it "acceptable" for him to get a happy ending. a sort of situation where, as the post says, what if shao yuanyuan's own timelooping caused the butterfly effect that led to lu guang timelooping. he wouldn't have needed to timeloop if they fix shao yuanyuan's timelooping. (<- speculation only)

anyway, so I think in S3 it'll be interesting to see how far they can take lu guang. but I probably won't expect him to like, actually kill people himself or whatever. the best he can do is probably something like his chessmaster style "gambling" in yingdu. which I guess works out for the liu xiao paralleling.

at the same time. for the bittersweet ending likers, there's still hope!! even if it's possible they'll give lu guang a happy ending, I think cheng xiaoshi will lose something in any ending. with the way they're setting up shao yuanyuan's role, I don't think cheng xiaoshi can have both his parents and lu guang together in his life atm. maybe they'll show us something in the future to make that possible, but for now, I don't see it. (something something, "just because you can't see hope doesn't mean it's not there)

anyway. if cheng xiaoshi is supposed to be the character — the hero — who learns to embody the lesson of link click ("past or future, let it be"), shao yuanyuan is the character who, as far as we know, refuses to. I mean, she left cheng xiaoshi in 2008. he's an adult now. she hasn't learned to let go in all these years. it'll be a wonder if we can find a way for her to let go after all this time. and lu guang so far is the character in-between the two spectrums. he could have ended up like shao yuanyuan, but the ending of yingdu makes me think he's committing to this "last" timeline. his line about looking into the future is an important moment for him.

it'll be interesting to see the three of them deal with the timelines in S3.

again this is all just thoughts and speculation. in any case, whatever happens in S3, I am very excited for what's in store for us, as I'm really liking what they're setting up with our three photo divers.

[one-pissed-off-child]

Day 2 of posting Nevermore thoughts until S2 drops

I think people are incredibly unfair to Annabel. But more than that, I don't think Lenore gets half the shit that she probably should for being flaky as hell. Hold your tomatoes, please. So, homegirl agrees to the whole thing, sabotage and all, changes her mind immediately after without telling the relevant party, plays along anyway, flips out on said party because of the sabotage and manipulation that she was very explicitly told was going to take place, and then calls it all off at the starting line without offering a viable alternative. If I had to work on a project with a partner like that, I'd be on the news

[call-me-pup2]

Ask follow up questions 🗣

You know, actually try and find information about the person you're talking to thats deeper than just, for example, finding out the name of their favourite movie. Ask them why its their favourite, would they recommend it, how does watching it make them feel, there's so many details to get!

Its not that hard to show a little interested because otherwise you just look like you don't actually like the person you're talking to 🥴

(This isn't about my asks on here lol I mean in actual one to one conversation)

[maretriarch]

vriska rolling her dice over and over again like shes clicking a pen absentmindedly just making increasingly stupid hats appear on her head until terezi gets annoyed and yells at her to stop

[moonimii]

SOBBING CRYING GAGGING THROWING UP. Any Ways!!!! Various silly guffaws and doodles I’ve drawn while trying to figure out how to go about drawing tgis new batch of silly guys…

[4listr]

This is Azrael

NO STOP CUZ THIS IS LITERALLY HIM 😭😭 I BURST OUT LAUGHING WHEN I SAW THIS THANK YOU

actually have one ship in mind

nadplip... im so sorry... @alien-til-i-stage @awaggaa

[silkhy-john]

To this day, one of the most tone-setting events for me is Hoh’s death. And even more tone-setting than Hoh’s death is Serena Rinnen’s conversation with Hoh before she closes his eyes, and the fact that she’s one of the first people (if not THE first person) we see get not what she wants, but what she needs from the tower.

And every time I reread, Hoh and Rinnen are the point in the story that reimmerses me in the tragedy of it all.

[cyberoticism]

honestly i think my only beef w mouthwashing and why it didnt hit for me is i was bored by the fixation on jimmy and curly. its a game abt anyas assault but shes barely in the game at all. her trauma is a prop to explore these male chracters complex relationship which i get yes is to illustrate how people enable harm doers and abusers but like. i dont rlly care that curly enabled jimmy bc he liked him and they were BFFsFL u kno like. their story was boring. anya didnt feel like a person and ahe didnt feel nearly as fleshed out as the others. i kept forgetting her name and calling her shelly duvall but a lot of her story happens off screen. which isnt to say i wanted her assault on screen its more to say why isnt she anything outside of her trauma? shes not nearly as humanized or fleshed out as the others and we r fixated on the abuser and whats going thru his mind and how the other men enabled him to go as far as he did. i think that we couldve even had a meaningful narrative about that while still treating anya like a human and still letting her be more of a character and less of a prop to talk abt sexual assault. am i making sense???

[addictedddoodler]

Lumons ultimate goal

[menlove]

people constantly think my best friend is straight and I genuinely cannot understand this like he's one of the most obviously gay men I know but again this just reaffirms to me that if I were in the x men universe my power would just be an unfailing gaydar it's like faggots Will just light up to me. like the way The Enlightened Empaths talk about auras but it's real and about faggotry

[raaorqtpbpdy]

Okay I’m thriving on all the Marie/Jordan posting, it is absolutely deserved, they’re amazing together, but I wish there was a little more love for Emma/Sam too because “I don’t remember you, but I do believe you” fucking broke me.

Imagine you’ve spent years questioning reality, surrounded by people who constantly remind you that you can’t believe your own eyes. You finally meet someone outside of that group and you’re convinced she’s a hallucination, except she passes your test, and she’s sweet, and she laughs at your jokes even though you have a really off-beat sense of humor, and she matches it, and you love her like you’ve never loved anyone. And she promises to stay with you after everyone else you’ve ever loved has abandoned you, whether intentionally or not. And then you start to freak out and you know your scaring her, because she’s seen you rip people apart with your bare hands, but she’s not running. She’s not even trying to make you calm down or be rational or stop. Instead she asks “How can I help you?” She wants to help you. And you run. And she saves you. She stops you from doing something you’ll regret. She’s the first one who’s done that without violating your mind.

And then she loses all her memories of you. She looks at you without an ounce of recognition, and you think you’ve lost her, even if you swear to get her her memories back. And you’re alone again, and you’re hallucinating. You’re hallucinating her. You can’t trust reality. You can’t trust yourself. You can’t believe what you see or hear or touch. Then she comes back again, but this time she’s real and you ask if she remembers you and she says no. “I don’t remember you, but I do believe you.”

I can’t even, okay, I’m losing my mind over here.

[portable-document-format]

woohoo

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently